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Slice of SciFi

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“The Dark Tower”: When Epic Becomes Merely Formulaic

Atomic Blonde (2017)

“Atomic Blonde”: The 80s Never Kicked So Much Ass

A Ghost Story (2017)

“A Ghost Story”: An Artful Look at Grief and the Lingering Hereafter

Okja (2017)

“Okja”: A Love Story To Delight the “Mac and Me” Fan In All of Us

Baby Driver (2017)

“Baby Driver” Accelerates Into High Speed Mayhem

Camera Obscura (2017)

“Camera Obscura”: What It Sounds Like When Your World Unravels

Preacher S1

One Season In: AMC’s “Preacher” Looking back at Season 1 to get ready for Season 2

Captain Underpants (2017)

“Captain Underpants”: Potty Humor and Wild Imaginings In Equal Parts

Buster's Mal Heart

“Buster’s Mal Heart” Twists Realities, Dreams and Perceptions A Riddle Wrapped in a Mystery Well Worth the Mindwarp

Midnighters (2017)

“Midnighters” Debuts at 2017 Los Angeles Film Festival

The Mummy (2017)

“The Mummy” aka How About We Just Not?

Wonder Woman (2017)

“Wonder Woman”: An Origin Story Worthy of Its Comic Roots

Pirates of the Caribbean: Dead Men Tell No Tales (2017)

Reviewing “Pirates of the Caribbean: Dead Men Tell No Tales” Weaving Its Own Loose Ends Together To Build A Story

Alien: Covenant review

“Alien: Covenant” Still Disconnected from the Franchise’s Monster Movie

King Arthur (2017)

Ritchie’s “King Arthur” Deliberately Highlights the Legend of Excalibur

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