“HIM”: Superlative performances should be viewed more than once, despite flaws
“Traumatika”: Filmmakers Pierre Tsigaridis and Maxime Rançon Designing the demon to maximize the fear
“The Conjuring: Last Rites” Madison Lawlor and Orion Smith On embracing the history behind them portraying the younger Ed and Lorraine Warren
“The Conjuring: Last Rites” delivers on the scares, wanders on the story
“A Viewing Guide to the Pandemic”: Richard Scheib chases contagions on film Cataloging and indexing the many options to watch how civilizations can end
“Witchboard” writer-director Chuck Russell on throwbacks and remakes Plus, the Hebert Twins want to expand on the lore of the Ashas
“Weapons” is an unsettling yet compelling tale
“How Far Does the Dark Go?”: Bears Rebecca Fonte on trauma, healing and vampires On developing and expanding a feature from an existing short film
“House on Eden”: adding to found footage paranormal investigations Content creators Kris Collins, Celina Myers and Jason-Christopher Mayer make a horror movie
“Found Footage Finds” filmmaker Chris Vander Kaay An independent docuseries I didn't realize I needed in my life
“Párvulos: Children of the Apocalypse” Director Isaac Ezban Highlighting family drama in the aftermath of a world destroyed by plague
“Rosario”: Emeraude Toubia and Felipe Vargas mix blood and magic Combining secret familial rituals with elements of body horror
“Sinners”: a superlative blend of genres and story
“SurrealEstate” showrunner George R. Olson talks spooky places Highlighting the show's gothic buildings and paranormal encounters
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