“The Lie”: a tense, engaging thriller let down by its title Stellar performances outshine the story as a whole
“Welcome to the Blumhouse”, Part 1 Looking at these thriller-suspense films through common threads
“2067”: Seth Larney on fiction becoming real events Melding time travel paradoxes and climate catastrophes into a mystery-thriller
“Death of Me” brings creepy vibes to Thailand
“No Escape” explores social media truths and lies
“Z” Director Brandon Christensen on relationships real and imaginary When imaginary friends choose to play with the nature of people's realities
“The Pale Door” and “Scare Package”: Aaron B. Koontz on Making Horror Mixing horror with other genres to make fun stories
“The Outsider”: A Haunting Tale of Monsters and the Systems That Feed Them
The Creative Drive Behind “Volition” The long journey from festivals to feature distribution and beyond
JAWS: Everything, Then Some, and More It's a JAWS discussion, full of surprises and fond memories
Movie Talk: “Spoiler Alert” explores the genre plots we love and hate Chris Vander Kaay dives deep into the movies and why we love them
“The Invisible Man” is a strong reinvention that also falters
“The Rhythm Section” fails to emotionally connect The action engages, but the characters do not
“Underwater” is a creature feature blast Ramping up the claustrophobic feel adds to the dread
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