Indie Horror Spotlight: “Head Count” and “Clinton Road” Indie horror gets more creative every year, just look closely for the gems
“Head Count”: The creepy factor polishes the rough edges The new indie horror feature intrigues with a new type of spectre
Enjoyable “The Dead Don’t Die” doesn’t connect all the dots Does too much meta undermine the story, or hide parts that feel missing?
“Strange Nature”: Jim Ojala blends ecological disaster with horror Turning a real ecological mystery into a smart horror-thriller
IHSFF Highlights: “Volition” and “My Soul To Keep” Two features that are winning at festivals all across the country
“Pet Sematary” disappoints but still entertains Full of suspense but misses the full effects of fear and dread from the novel
First Look: “The Dead Don’t Die”
“Us”: More abstract than narrative horror
“Horror Noire”: Tananarive Due on Black Horror History Perspectives on history, representation and awareness and education in more spaces
“Happy Death Day 2U” continues the loop, more fun with a twist The outrageous thrill ride picks up where the first film left off
Darren Lynn Bousman on Directing “St. Agatha” Finding the right story and atmosphere
Spotlight on Shudder: Sam Zimmerman Breaking the internet, one cult classic and new vision at a time
“All the Creatures Were Stirring”: Holiday Horror Cheer David & Rebekah McKendry talk Christmas horror themes
Director Duncan Skiles Talks “The Clovehitch Killer” On making an indie suspense thriller
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