“Frontier Crucible”: Travis Mills, Myles Clohessy and Thomas Jane talk Westerns Still finding the audience appeal of the Western in 2025 and beyond
“Wake Up Dead Man: A Knives Out Mystery”: an intricate and improved addition to the franchise
“After the Hunt”: superb acting is marred by poorly executed character archetypes
“One Battle After Another” completely engages despite long running time
“Caught Stealing”: an engaging yet uneven antihero journey
“Witchboard” writer-director Chuck Russell on throwbacks and remakes Plus, the Hebert Twins want to expand on the lore of the Ashas
“Weapons” is an unsettling yet compelling tale
“Star People”: Director Adam Finberg on different searches for truths The Phoenix Lights phenomenon still intrigues us after all these years
“M3GAN 2.0” is a fun cautionary tale on AI and robot vs robot mayhem
Interview: “Mob Cops” Jeremy Luke on portraying a corrupt cop
“A Working Man”: top notch action scenes smooth away the story holes
“Opus”: an engaging but flawed thriller
“Last Breath” is a top-notch true story adaptation
“Cleaner” blends classic underdog action with modern menaces
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