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Slice of SciFi

This is How We Geek Out: Interviews, Reviews & More

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Review: Tuesday (2024)

“Tuesday”: a unique view on Death and purpose

Slice of SciFi 1087: Stefon Bristol, "Breathe"

“Breathe”: Director Stefon Bristol on family and survival Working to find the heart of the story that helps it all make sense

Slice of SciFi 1086: Max Beyond

“Max Beyond”: HaZ Dulull talks creating animations with Unreal Engine And building the tools as needed while they change the way animated features can be made

Slice of SciFi 1084: Kiah Roache-Turner

“Sting”: Director Kiah Roache-Turner on making a horror fairy tale Spiders. Why'd it have to be spiders?

Slice of SciFi 1083: 2024 Intl Horror & Sci-fi Film Festival

2024 International Horror & Sci-fi Film Festival Festival Director Monte Yazzie returns to talk this year's showcase films

IHSFFF 2024 Shorts Programs

2024 International Horror & Sci-Fi Film Festival Shorts Programs

IHSFFF 2024

2024 International Horror & Sci-Fi Film Festival Feature Films Lineup

Slice of SciFi 1081: PKD Film Festival

11th Philip K. Dick Science Fiction Film Festival Daniel Abella returns to share the highlights of this year's festival

Slice of SciFi 1079: Monolith

Indie Scifi: “Monolith” Matt Vesely & Lily Sullivan One actor, one location, one mystery, with many questions

Slice of SciFi 1078: Out of Darkness

Indie Horror: “Out of Darkness” Director Andrew Cumming Designing a horror movie in a world far removed from our own experiences

Parallel (2024)

Official Trailer: “Parallel”

Slice of SciFi 1076: Gabriela Cowperthwaite

Indie Scifi: “I.S.S.” Director Gabriela Cowperthwaite Combining the special effects of zero gravity with the tensions of a political thriller

Out of Darkness (2024)

Trailer: “Out of Darkness”

Slice of SciFi 1074: Javier Reyna, "Due Justice"

“Due Justice”: Director Javier Reyna on coping with trauma & mental illnesses Hey Saban Films, we need a director's cut for this film

Slice of SciFi 1069: Aberrance (2023)

“Aberrance”: A new glimpse of international horror The first Mongolian horror feature to be distributed to US theaters is here

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