Bottom Line: The machines rise to the occasion. Too bad the dramatic element’s just as robotic.
The latest chapter in the successful cyborg series following 2003’s “Terminator 3: Rise of the Machines” — and the first sans Schwarzenegger — “Terminator Salvation” doesn’t skimp on all that crunching heavy metal.
But while incoming director McG (the “Charlie’s Angels” movies) certainly gets a rise out of the machinery in the post-apocalyptic thriller, there’s little sign of life where the flatly executed human component is concerned.
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