The selling points of this film for genre fans are obvious. It is a pleasure to see Karen Gillan on screen playing a character different from Amy Pond, and Katee Sackhoff pulls off a role that is haunting with some genuine shock value. The characters are introduced in a manner that is intriguing, and we quickly find ourselves wanting to know what happened and where the story is heading.
Serving up a mind-bending assortment of the macabre, it’s an anthology of darkness and dread fine-tuned to keep you on the edge of your seat. A new drug offers users a glimpse of the future… with beastly consequences. A murderous husband is stalked by his own cell phone. A jilted lover wreaks satanic vengeance.
CASSADAGA tells the story of Lily Morel (Kelen Coleman), a post-lingually deaf artist, who participates in a séance in the spiritualist community of Cassadaga. But instead of getting closure with her recently departed sister, Lily contacts the vengeful ghost of a murdered woman. As the ghost becomes increasingly angry and violent, Lily rushes to unravel the mysterious circumstances surrounding the woman’s death – a task that will bring her face-to-face with a sadistic serial killer who turns his victims into human marionette dolls.
If you are a believer in the supernatural or can suspend your disbelief and immerse yourself in the lore of the ZoZo spirit, it’s a spooky little horror movie with some genuinely creepy moments. This is a film that will make you want to avoid playing with Ouija boards, and may leave you wanting to sleep with the lights on after it’s over.
I can’t count how many low budget, independent horror films I’ve seen which seem to think they are doing something innovative and cutting edge by filling the screen with the most sickening imagery that the director can dream up, while casting aside niceties such as plotting, pacing, and character development.
A new trailer for the upcoming season of American Horror Story has been released.